Category Archives: Death Metal
Prosanctus Inferi – Hypnotic Blood Art (2020)
The last Prosanctus Inferi album, Noctambulant Jaws Within Sempiternal Night, was a masterpiece of dark, blasphemous, and intricate black/death metal. But it’s been seven years since, and as was hinted by the Pulpit Sycophants demo from last year, the new … Continue reading →
Incantation – Sect of Vile Divinities (2020)
On Sect of Vile Divinities, Incantation continue the trend of borrowing influences from contemporaries they started out with many years ago. Autopsy and Mortician have already been referenced on Primordial Domination and Profane Nexus, namely in the use of a … Continue reading →
Auroch – Mute Books (2016)
Auroch on Mute Books remind me of an updated rendition of Hellwitch, minus the speed metal infusions, but with much the same penchant for crafting lingering melody out of incredibly dense guitar playing. Other references can include Nile and Absu … Continue reading →
Ara – Jurisprudence (2020)
Ara play technical death metal that exists somewhere in the gap between old adepts like Gorguts and Atrocity, Suffocation on Breeding The Spawn, and the hyperactive California-style favored by the likes of later-day Deeds of Flesh. Ara, however, almost entirely … Continue reading →
A thought on Immolation’s Atonement
Immolation have traditionally excelled at creating melody out of dissonance. Individual parts which in isolation have little melodic quotient come together in gestalt formation to realize dark and grand musical themes. In so much, truly this band has strived for … Continue reading →
Prelude to Apocalypse via Onward to Golgotha
This isn’t so much a contest as a bunch of observations on two obviously related death metal albums. Onward to Golgotha is Incantation‘s magnum opus and rightly resides at the very peak of the genre. The proliferation of the internet … Continue reading →
Human Agony – Putrescence Of Calvary (2019)
Putrescence of Calvary is unabashed Blasphemy worship channeled through the likes of Pseudogod, but eclipses both by virtue of tighter songs than the first and less knuckle-dragging than the latter. As the video below of the band’s life performance illustrates, … Continue reading →
Sammath – Across The Rhine Is Only Death (2019)
I read somewhere that metal as opposed to rock n roll is thought over feeling, meaning that the metal musician feels first and then reasons upon that initial feeling to come up with an expression of his intellect. It is … Continue reading →
Death metal interludes playlist
The classically-tinged interlude is a proud death metal tradition, giving lie to the popular assumption that this is a brute’s music. It is that, without question, and unabashedly so, but as can be sensed from these pieces on an instinctual … Continue reading →
Teitanblood – Death (2014)
Teitanblood came to notoriety with Seven Chalices ten years ago, an album though harsh compared to its contemporaries still containing enough nods to conventional death metal tropes. All that went out of the window with 2014’s Death; on this album, … Continue reading →