Interspaceframe is The Chasm frontman Daniel Corchado’s first real exploration of a non-metal medium. The textures found on this recording share much in common with Vangelis, Brian Eno‘s Apollo recordings, Carbon Based Lifeforms, and 80s synthwave, while frequently retaining the brevity and acute movement of heavy metal. What should be of interest to The Chasm fans is the evident continuity from Farseeing The Paranormal Abysm and A Conscious Creation From The Isolated Domain. On those albums, Corchado had already begun showing both subliminal and overt tendencies towards a more expansive, panoramic sound, experiments that may not have always bore fruit within a conventional metal framework. This project, however, affords him a freer outlet for expressing in greater detail aspects of his musical lineage rarely shared with his audience before.
In the middle of the album lies ‘Flight (Of The Orphan Of Orion)‘, a jaunty quasi-dance number that feels like a mix between Mercyful Fate’s ‘Gypsy‘ and something off Depeche Mode‘s Construction Time Again. The Chasm‘s patented use of suspended arpeggios adds a hint of mysterious insinuation to proceedings, but the more salient observation here and elsewhere is the overall looseness in writing and tone selection. Electronic music is primarily concerned with timbre, pitch, and arrangement, in more or less that order of precedence. Corchado chooses to paint his cosmic themes in predominantly bright, crystalline hues while relegating feedback and distortion to the role of background drone. This in no way makes Interspaceframe trivial, but for a musician whose work so far has been of a singularly serious character, it is a significant development: melancholy and aggression used to compose the ruling feeling on The Chasm albums, and even much previous MII work; it is here replaced with something a little more buoyant but no less grand; the intrepidity to dream in the cold stillness of the space within and without, the doubt that inevitably follows in the wake of that brave endeavor, and, ultimately, the optimism that makes itself known at the end of the tunnel.